Aftimichuk O. Ye. Application of Theatrical Pedagogy to the Development of the Didactic Communication of the Physical Education Teacher

Aftimichuk O. Ye. , Doctor of Pedagogical Sciences, Professor, Moldova State University of Physical Education and Sports.

Abstract
The present study examines communicative training of actors. The study proceeds from the recognition of the similarity of the professional communication of the teacher and that of the actor. The role of music in the formation of the didactic speech of the future teachers of physical culture was determined. Characteristics of expressive speech consonant with the means of music expression are given. This has contributed to the development of a specialized course “Methods of Forming the Rhythm of the Didactic Dialogue on the Students of Institutes of Physical Culture”.

Key words: didactic communication, teacher of physical education, professional training, theater pedagogy, means of expression, music, speech, musical-rhythmic training, specialized course.

References

1. Aftimichuk O. Ye. Formirovaniye ritma didakticheskogo obshcheniya u studentov institutov fizicheskoy kul'tury [Formation of Rhythm of Didactic Communication in Students of Institutes of Physical Culture]. Ed.D. thesis. Kishinev. 1998. 300 p. (rus)
2. Bely  A. Simvolizm [Symbolism]. Moscow: Musaget. 1910. 635 p.
3. Borisyuk I. V. Pausy kolebaniya i ritm [Oscilation Pauses and Rhythm]: Collection of Research Papers of Maurice Thorez Moscow State Pedagogical Institute of Foreign Languages. Moscow. 1987. No. 293. Pp. 71 – 78. (rus)
4. Vasina-Grossman V. A. Muzyka i poeticheskoye slovo [Music and Poetic Word]. Moscow: Muzyka. 1978. 368 p. (rus)
5. Verbovaya N. P. Iskusstvo rechi [Art of Speech]: Tutorial for Theatre Education Institutions. 2 nd revised and corrected edition. Moscow: Iskusstvo. 1977. 303 p. (rus)
6. Griner  V. A. Ritm v iskusstve aktera [Rhythm in Acting]. Moscow: Prosveshchenie. 1966. 172 p. (rus)
7. Zhinkin  N. I. Mekhanizmy rechi [Mechanisms of Speech]. Moscow: RSFSR Academy of Pedagogical Sciences Press. 1958. 372 p. (rus)
8. Zlatoustova L. V. Foneticheskie edinitsy russkoy rechi [Phonetic Units in the Russian Speech] / L. V. Zlatoustova. – M.: Moscow State University Press, 1981. 108 p. (rus)
9. Ivanova  G. N. Ritmiko-intonatsionnoe stroenie teksta [Rhythmic and Intonational Text Structure]: Synopsis of Ed.D. Dissertation. Moscow . 1990. 37 p. (rus)
10. Knebel'  M. O. Slovo v tvorchestve aktera [Word in Acting]. 3 rd corrected edition. Moscow: VTO. 1970. 160 p. (rus)
11. Knebel'  M. O., Luriya A. R. Puti i sredstva kodirovaniya smysla [Ways and Means of the Sense Coding]. Vopr. Psikhologii. 1971. No 4. Pp. 77 – 83. (rus)
12. Kolmogorov  A. N. K izucheniyu ritmiki Mayakovskogo [The Study of the Rhythm of Mayakovsky]. Vopr. Yazykoznaniya [Issues of Language Study]. 1963. No 4. – Pp. 64 – 71. (rus)
13. Koni A. F. Sovety lektoru [Advice to the Lector]. Ob oratorskom iskusstve [On the Public Speaking]. Moscow. 1958. (rus)
14. Krivtsova T. F. O vozdeistvii didakticheskoy funktsii na intonatsionnuyu organizatsiyu uchebnogo teksta [On Impact of the Didactic Function on Intonational Organization of Educational Text]. Kommunikativnaya funktsiya tekstovoy prosodii [Communicational Function of Text Prosody]: Collection of Research Papers. Maurice Thorez Moscow State Pedagogical Institute of Foreign Languages. Moscow. 1986. No. 274. Pp. 28 – 33. (rus)
15. Krizhanskaya Yu. S., Tret'yakov V. P. Grammatika obshcheniya [Communication Grammar]. Leningrad: Leningrad State University. 1990. 208 p. (rus)
16. Kristi G. V. Vospitanie aktera shkoly Stanislavskogo [Stanislavsky School Actor Training]. Moscow: Iskusstvo. 1968. 455 p. (rus)
17. Matveev L. P. Teoriya i metodika fizicheskoy kul'tury [Physical Education Theory and Methods]: Tutorial for Phisical Culture Institutes. Moscow: Fizkul'tura i Sport. 1991. 543 p. (rus)
18. Mukanov M. M. Skanirovaniye sensornoyi pamyati – posledovatel'ny samookanchivayushchiysya protsess [Sensory Memory Scanning as a Sequential and Self- terminating Process] Psikhologiya. Issledovaniye rechemyslitel'noy deyatel'nosti [Psychology. Investigatoin on the Verbal and Cogitative Activity]. Alma-Ata. 1974. No. 3. Pp. 186 – 192. (rus)
19. Nazaykinskiy E. V. O muzykal'nom tempe [On Musical Tempo]. Moscow: Muzyka. 1965. 95 p. (rus)
20. Nozhin E. A. Masterstvo ustnogo vystupleniya (The Art of Oral Speaking). 3 rd revised and corrected edition. Moscow: Politizdat. 1989. 255 p. (rus)
21. Pavlov I. P. Izbrannye trudy [Selected works]. Ed. by Usiyevich M. A. Moscow: Uchpedgiz. 1954. 415 p. (rus)
22. Petrova A. Stsenicheskaya rech' [Scenic Speech]: tut. Moscow: Iskusstvo. 1981. 191 p. (rus)
23. Potapov V. V. Ritmicheskaya organizatsiya publitsisticheskoy i nauchnoy rechi [Rhithnic Organization of Publicistic and Scientific Speech]: synopsis of Candidate of Ed. dissertation Moscow. 1990. 26 p. (rus)
24. Rech. Rech. Rech [Speech. Speech. Speech]: Teacher's Book. Ed. by Ladyzhenskaya T. A. Moscow: Pedagogika. 1990. 336 p. (rus)
25. Sechenov I. M. Izbrannye proizvedeniya [Selected works]. Moscow: Uchpedgiz, 1953. (rus)
26. Stanislavski K. S. Rabota aktera nad soboy. Dnevnik uchenika [Actor's Self-cultivation: Student's Diary]. Moscow: Iskusstvo. 1951. Ch.  1, 2. (rus)
27. Stanislavski K. S. Sobranie sochineniy [Collected Works]: in 8 vol. Moscow: Iskusstvo. 1955. Vol. 1. 370 p. (rus)
28. Kharlap M. G. Ritm i metr v muzyke ustnoy traditsii [Rhythm and Metrics in Music of Oral Tradition] Moscow: Muzyka. 1986. 104 p. (rus)

Full text (PDF)...>>